This architect, born in Venice, has been a calligrapher since childhood.
His works, suffused with incense and myrrh, are produced on gold and silver leaf, with home-made lacquers made according to ancient Chinese recipes.
During an exhibition at the Venice biennial, Bruno GRIPARI was noticed by an ethnologist who exhibited his work in Asia. His calligraphic standards now decorate the prayer hall of Pathan’s golden temple in Nepal. The Mongolian government invited him in July 2005 to give him new horizons for his work.
There is a certain amount of mystery in Bruno GRIPARI’s work: the achievements of a soul filled with the vision of a world of shared spirituality.