The artist develops the pictorial work with an inherent instinct of childish forms of expressions, such as abolishing true scales regarding the size of the characters and objects, as well as the rules of perspective, etc. Moving in this direction, he tries to do the opposite of reproduction perfectionism, preferring instead "human" awkwardness.

Favouring this voluntary form of clumsiness, naivety, imperfection, he attempts to challenge the notion of contemplation which isolates the spectators in a certain realm of comfort. Mixing the actions of what is reasonable and intentional with the actions of what is arbitrary and unconscious, the polysemous compositions build a semantic scope more inspired towards the contradictions of dreams than a logical and probable reading of reality.
Systematically resorting to writing in the form of graffiti, to drawing whilst taking the clumsiness of a child into account, to collage which invites another way of composing "the world" are not meant to give an explanation but rather to produce concrete experiences of intrinsic multiple stories, allowing an escape from any attempt of an emanate and conscious reading.